Kulturstiftung des Bundes

Christine Sun Kim:

Issue: Nr. 3/2026

Christine Sun Kim

Kunst
What does art know about the signs of the future?

“Giving too much thought to the future can be overwhelming, especially in an uncertain political climate,” mused artist Christine Sun Kim at one point during a conversation about the title image. But she added that doing so could offer a reminder “that there are a wide variety of positive futures for everybody to dive into.” In her drawings, Kim creates spaces of association where one can explore different perspectives and viewpoints regarding the future.

The signs that Christine Sun Kim uses in five of the works presented here all share a reductive graphic form. For example, a line extends from left to right in a sweeping and then smaller adjoining semicircle—a reference to the signed word “future” in American Sign Language, as Kim explains in a video about her art. In other pieces she uses musical notation or symbolic depictions of sound in variations rendered in charcoal, pastel chalk or oil pastels. She combines these with brief annotations to create a series of humorous, ambiguous and ambivalent visions of the future.

The drawings by Christine Sun Kim appear in the third issue of fünf zu eins in response to the question “What does art know that we don’t?”

CC

Straight Up Future

2015

Dry pastel and pencil on paper
100 x 125 cm

Photo: Yang Hao for White Space Beijing

Christine Sun Kim

A curved line drawn in charcoal on a sheet of paper: The line curves downward from left to right and ends in a hole. The hole resembles a hole on a golf course because a pole with a triangular flag is stuck in it. From the hole, the line continues upward and to the right in an arc, as if it were “jumping out” of the hole. Above, the title of the drawing is written in capital letters: “Future With Certified Sign Language Interpreters.”

Future with Certified
Sign-Language Interpreters

2016

From the “Future Base” series
Charcoal on paper
30 x 40 cm

Courtesy of the artist and White Space Beijing

Christine Sun Kim

Six curved lines drawn in charcoal on a sheet of paper: the lines run, almost parallel to one another, each with a larger and a smaller curve, from the bottom left to the top right. In some places, smudged charcoal marks are visible on the paper. Above the six lines, the title is written in capital letters: “Futurist Future”.

Futurist Future

2016

From the “Future Base” series
Charcoal on paper
30 x 40 cm

Courtesy of the artist and White Space Beijing

Christine Sun Kim

A broad, curved line drawn in charcoal on a sheet of paper: the thick black line, which covers about half the paper, runs from left to right in a larger arc followed by a smaller one. In some places, there are smudged charcoal marks on the paper. Above the line, the title is written in capital letters: “Too Much Future.”

Too Much Future

2016

From the “Future Base” series
Charcoal on paper
30 x 40 cm

Courtesy of the artist and White Space Beijing

Christine Sun Kim

Twenty-two lines drawn with oil pastels and oil pencils on a rectangular, elongated sheet of paper. All the lines follow a similar path from bottom to top, and all are grouped in pairs of two. The lines begin at the bottom of the image with a curve and then run, almost parallel to each other, up to the top edge of the paper. A small “f” can be seen at the curved beginning of each line. The “f” at the bottom makes the lines look like musical notes. Below the lines, the title is written in capital letters: “Overly Ambitious Futures.”

Overly Ambitious Futures
(large Version)

2015

Oil pastel and oil bar on rice paper
150 x 400 cm

Photo: Yang Hao Photography for White Space Bejing

Christine Sun Kim

A broad line drawn on a sheet of paper using charcoal. The thick black line consists of many rough strokes, and white spots are visible in places. The line zigzags from the top left to the bottom right: it rises briefly to a sharp edge, then curves down to the lower center of the image, rises again briefly with another edge, and finally curves down to the bottom right. Above the line, the title is written in capital letters: “Good Grief Future.”

Good Grief Future

2016

From the “Future Base” series
Charcoal on paper
30 x 40 cm

Courtesy of the artist and White Space Beijing

Christine Sun Kim

A large, roundish shape drawn on a sheet of paper with pastel chalk. The shape resembles a circle, but it is not symmetrical. It is a solid black; no outlines or white spots are visible, even under a magnifying glass. Around the round shape, there are smudged chalk marks on the paper in some places. Below the black shape, the title “Time” is written in capital letters.

Time

2024

Dry pastel and pencil on paper
100 x 125 cm

Photo: Yang Hao for White Space Bejing

Christine Sun Kim

Christine Sun Kim, born in 1980 in Orange County, California (USA), incorporates drawings, performances, videos and large-format wall paintings into her artistic work. Musical notation, written language, info graphics, American Sign Language (ASL) and humour are recurring elements in her practice. Christine Sun Kim’s works have been presented at prestigious exhibition venues around the world, e.g. most recently at the Whitney Museum of American Art in New York, the Walker Art Center in Minneapolis und the Mori Art Museum in Tokyo. Kim's next solo exhibition will open in September 2026 at the Contemporary Art Museum of Luxembourg.